Saturday, November 20, 2010
what they say
One piece of hair
Persepolis 2
She couldn't even go out into public without being completely covered or risk getting arrested. I would never be able to live with that, I felt like every one of her rights as a human being was completely taken away from her.
Cali Simmons (Post 14)
Persepolis
I couldn't imagine being sent away from my parents just like that to live in a different country, a completely different world with people who aren't even related to me. I don't think under those circumstances i would be able to adjust.
Cali Simmons (Post 13)
A Whole New World
While reading by herself and eating pasta in a pot, a nun confronts her. Even though she really isn't doing anything wrong the nun feels the need to tell her off for eating in a pot and makes fun of her heritage. This is where her responsibility should have stepped in and she should have properly chose her battle. Even though what the nun did was wrong and in complete disregard to her own feelings, succeeding in the school was of importance and had she ignored the nun and not snapped back at her, she could have made it through boarding school.
Marjane's development as a Child
The reason her development is significant is because this is how children are influenced all over the world. When things happen in a child's life and they wonder why, if they are not convinced of why something is the way it is, they tend to assume otherwise. For example when i was younger i would hear something from my teacher and repeat it to my parents (or vice versa) and there were often times when i was told that the other party was incorrect. Often i believed the reason that disproved my initial teachings because more than not, it was easier to make it seem like something was wrong even if it wasn't. More often however, I (as I'm sure many other children do) believed my parents over my teacher for the sole reason that they were my parents.
Breaking the Chain of Conformity
Expanding upon the idea of the extremist view and how Satrapi depicts them, this is no different from soldiers of Sierra Leone. In Sierra Leone, many of the soldiers are actually children much like the soldiers who are Islamic extremists. The children are not only used as physical man power, but also to psychologically mess with their enemy. It is hard to picture a child trying to kill another person and for many adults to even point a gun at that child is almost impossible. The children of Sierra Leone most of the time are taken from other villages and drugged and told what to do. They do not have a voice and are manipulated into thinking that their actions are good and for a good cause. They try to instill a fear in those around them to feel power and kill anyone who refuses to break free. This is no different than how many Islamic extremists opperate and carry out their actions. Their message to instill fear becomes the teaching method to those around them and anyone who does not share their ideals are then the enemy. Satrapi's character is not the enemy in this notion, but rather she is the unheard voice that is trying to break the barrier. She is trying to convey her side of the story and show that one should not be afraid to speak out to the world.
(David Roberts, Post 22)
God's Help
The one night Marji was picturing herself as different military leaders to imagine herself being a focal point of the revolution. That was the first night that God left her and didn't come back when she wanted him there because her parents wouldn't let her be a part of the revolution. As her life went on she obviously got farther and farther away from him. At one point she became a drug dealer which is the farthest in my mind as you can get from God, compared to the way she acted when she was younger. This is a major changing point in her life in my mind because that is as low as she got. She realized that she wasn't getting anywhere because of it and changed her life afterwards.
Kevin Ostempowski Post 2
Change of view
Also in reading this book Satrapi points out her personal views as to whats taking place. God was a big point of her life. She would point out how the leaders who were in charge were chosen by God to be there. Her father instead told her that the leaders actually weren't chosen by God instead they got there by greed and wealth. It put a focus on how things should have been and what they truly were. When a person wanted to change things to how they should be they were swayed by money to not change a thing.
Kevin Ostempowski Post 1
Questionable Gender?
Views
The World Needs to Change Iran?
The Complete Persepolis doesn't mess around when it comes to depicting life under the current leadership, but it also makes you realize there are amazing and wonderful human beings who are doing their best to live dignified and noble lives. This leads back to our discussion where how has your viewed changed after reading and it really has changed my opinion because I realized that it is not the whole country, but the actions of a few that give everyone a bad name. They love their country and would it being invaded by a foreign power than just as much as we would. I'm sure they would fight against any such invasion in spite of their disagreements with those in power. Just because you don't like your leaders, doesn't mean you don't love your country and want to see it taken over by a foreign power.
The Complete Persepolis is a powerful story because it shows of a person's struggle to find her place in the world. The biggest thing for me is that Marjane Satrapi has chosen to tell it in the form of a graphic novel not only shows us how far means of expression as changed, but allows us a glimpse into a world that few of us know anything about. Before anybody makes any decisions about whether they think the world "needs to do something about Iran" they should read this book. (Shawn Parkhurst, 22)
the use of the graphic novel to tell the tale
Marjane Satrapi could have told her story just as easily in a straight autobiography, and I'm sure it would have made for a good read. But by telling it as a graphic novel, she brings a visual part to it that increases its impact. The graphics themselves are plain black and white drawings, but her ability to use imagery to tell the story along with the dialogue and narration makes them as effective as if they were in full color as a film.
The visual element allows her to include the offstage, and imagined part that the reader normally has to do on their own. Instead of having the information as separate incidents, where its impact is reduced by removing it from the context of the story, we see things as they happen. In my opinion this technique increases the emotional power of the moment. Something about the directness of her style that allows her to do two things: distinguish between individuals easily, especially portraying all the women as completely clothed in black (suggesting they are just objects that are all the same). It also allows her to make her own depiction of horrors, death, torture, and anguish, emotionally realistic without being graphic or gruesome.(Shawn Parkhurst, 21)
Poverty
The Iranian regime has much to do with the outcomes of the Islamic faith. Children are brought up as corrupted individuals who are forced to join their military at a young age so they can increase their military numbers. They are trained to kill soldiers and civilians and have the advantage because nobody would want to see a child be killed. They use this strategy as a psychological effect so that children with guns can get closer to the opposing forces and exterminate them. In order to stop this crisis, the regime must be stopped and brought down and train the corrupted individuals to become normal people once again. (Mason Roessler Post 20)
The Islam Faith
If we look at Iran, there are many different stereotypes that can we assume. We may look at Iran as a terrorist country or one full of fundamentalist views, but that is not always true in some cases. It can also be seen as a country that produces a lot of oil that we acquire for our country's use. There are many people like us who live in Iran that are innocent and everyday civilians just like us. In other words, Iran does not seem to be such a bad acountry as it is made out to be. It is full of postives and some negatives but the good can out weigh the bad. (Mason Roessler Post 19)
Not So Very Different
I am coming to understand Satrapi more and more as the story goes on. She is such a real person. It sounds terrible, but there is always some sort of detachment between myself and the authors I read, that this open honesty, with no metaphors or anything to hide behind, she just makes Satrapi feel more real to me. I feel like she is completely baring her soul to the audience, no matter their feelings on the subject. She doesn’t hide anything, and that makes her more real to me.
Another thing I really like about this book, is that despite her different upbringing, Satrapi “rebels” in the same way the “classic” American does, or for that matter, any teenage does. She smokes, she loves rock and roll, and she participates in drugs, even at one point selling them. She just comes across as so relatable because she is flawed. She has grown up in a major time of war in her country, but she still manages to “rebel” or act out as a normal teenager would. Mind you her parents supported her rebelling against the government with the rock music, but some of it was against her parents as well. She has made mistakes in her past that she is not afraid to come clean about, and that she grew from in the long run, so she is like a normal person. Even though she is not of our culture, she still experiments to find out who she really is, cutting her hair, experimenting with make-up, making new, not totally acceptable friends, and making other mistakes along the way, just like we do.
One scene that I really enjoyed was the scene where she was in the diner and overheard some girls talking about her behind her back (pg 196-197). This scene displays Satrapi most as a real person I think. She had been holding information back from people for so long, that eventually she just burst, and screamed that she was Iranian and proud at those girls. Not that they didn’t deserve to be screamed at, but every person that I have met has, at one point in their lives, blown up at people because they decided to withhold information. It happens to everyone. It is a very human thing to do. We want to fit in with the majority, and there is nothing wrong with that.
I completely agree with some of my classmates who have already posted that despite our different cultures, we still need to treat people from the Middle East with respect. There is a huge difference the radical extremists, and the everyday person. We need to acknowledge that difference, and respect that these people had nothing to do with the attacks on our country, even if they are from the same country or religion as the attackers. I think that the teenage Satrapi rebelling in the same way that we might, really stresses just how similar we are to each other, and how much we need to embrace our similarities, instead of focusing on our differences.
(Sarah Jaworowicz, Post 22)
Not Appropriate or Perfect?
This style of writing can be more expressive of feelings and ideas than another form might be. Satrapi literally draws her characters’ faces to represent their feelings at the time. It allows us to interpret said emotions more accurately. I also think that this style allows us to connect with the characters even more than we might if it was written straight. We have someone to picture in our mind when we think about what happened in the story, and it helps me anyway, to have someone to picture, even if it is a cartoon version of a person. I think that this style of writing also lends a lot to the fact that this story is a story of growth, and it helps portray the time of her life that we are in.
Writing this as a graphic novel is also very fitting in that the main character is a growing child when all of this is happening. All of these extremely serious things are going on, and I kind of forgot that she is a little kid for a good portion of what we have read so far. She doesn’t really act like a kid in the “normal” way of being a kid, but reading about her story in this kind of form helps accentuate the fact that she is in fact little kid who has seen terrible things happen. It is also interesting to see how her little girl mind interprets all of the things that she is experiencing, and I feel like we get a better understanding of how she did interpret it through the drawings in the graphic novel.
I also think that this for of writing also helped Satrapi keep her readers interested. It manages to keep a sense of levity through the stories, even though the topic is quite serious at times. I think, as it is quite a serious a subject, that if she had written it straight, as a novel, or another form, that it would have gotten quite heavy, and she would have lost some of her readers. She lightens the mood with funny anecdotes from her childhood, and clever illustrations for the darker parts of her story, without losing the seriousness of the moment.
(Sarah Jaworowicz, Post 21)
Friday, November 19, 2010
Two Sides of the Story
Satrapi writes in such a way that we almost question ourselves what is truly happening, or what is the significance of this event. One such a story would have to be "The Veil." The story really demonstrates the radical side of Satrapi's character and her rambunctious attitude to cease to conform with her fellow people. A specific scene would be the class photo that was taken in the beginning of the story. As it was discussed in class, a possible explanation to why her character is separated from the rest of the class could be that she does not feel like she belongs. Her character comes across as being an outsider, especially later on the book when she leaves to go away. She wants to be independent from everyone and live the life that she chooses, rather than live a life that is pre-determined much like the rest of her classmates. It is similar to how American associate anyone of Islamic faith as being a terrorist. This is horrible to think like this, but it is the truth of the majority behavior in this present time. It's almost as if Satrapi recognizes herself as being the "enemy" and doens't want to have that association anymore. She wants to leave her past behind in a sense to start her own story, one that spells the truth of the harships that she had to endure.
(David Roberts, Post 21)
Wednesday, November 17, 2010
After reading my article I started taking a closer look at the reading. I have to say I'm really enjoying it. I started to notice what was mentioned in the article about how it's a story about a "girlhood" not about Satrapi herself. It's about the country around her. I think the fact that her speaking out when many women of that culture have to stay silent makes her an "Outcast" and thus a part of our course study. Good choice. Thomas Moss (post 16)
Monday, November 15, 2010
Changing Viewpoints
She had to go through a huge change in school and even a huge change with having to wear the hood after not having to wear anything. That is a huge difference in how you live your life. She learns about all the struggles first hand but it is nice that we can gain this knowledge and understand all they have gone through. My perspective of Iran was that they were mostly fundamentlist extremists and plot against the US but in reality that is only a small portion of the country. The people are the ones that have to risk their lives everyday hoping that the regime ends its power and a new one comes that will be better. Unfortuneately, it doesn't happen that way. Your impressions of Iran definitely change reading this and I think putting it into a comic book form helps to incorporate the importance of the imformation.
(Kelcey Summers 20)