Thursday, September 23, 2010
Sarah Shun-Lien Bynum
(David Roberts, Fireside Lounge Speaking)
Intertwine
While viewing the many characters in the story, I found Roger to stand out the most. Up until now, there has been no real mention of Rachel's father, until we are given what appears to be a flashback to Rachel's appearance in the hospital. It is unknown as to why she was there, but Roger is seen at the bed side weeping for his ill daughter. There was also a mention of a flask that he frequently drinks from while visiting Rachel. I feel as though he might be a possible alcoholic, because in an earlier flashback, he is seen drunk at a bar where he hits his wife, Nella. The rest of that night ends in disaster when a fire catches the place where he is staying and he loses sight of his son. It's almost as if he uses the flask at the hospital to not only calm his nerves, but to also remind himself of the past. Rachel seems to be the only person he has left, and is scared of being alone in this world. It is this fear that drives him back to visit his daughter, and to sort of reconcile to himself about what has happened.
(David Roberts, Post 6)
Hide and Seek
Jamie is another character in the story who seems to troubled in a way similar to Rachel. He seems rather reserved and quiet, and he appears to be alone. His mother is constantly having male suitors over at the apartment, thereby leaving Jamie (a.k.a. Brick) to fend for himself. I felt sad reading about his story, because he has no real possessions except for his bird book, which he stole from the library. It's almost as if he is looking beyond everything around him, as if he his position in life does not bother him. He wants nothing more than to examine the different birds from his book and to forget about everything around him. It is not until he discovers the bodies in the courtyard do we see a slight change in Jamie. He gives up his most prized possession, the Peterson Field Guide, and places it on the shrine. It seems as though he has seen the harsh truths of reality, and he no longer needs a book to tell him about the world, when he can see it and witness it first hand.
(David Roberts, Post 5)
Wednesday, September 22, 2010
Why birds?
I really like what the author did in this section. She took something so horrific and made it into imagery that was easier to stomach. This section to me makes me picture the spirits of these children and mother flying away going to a peaceful place. I compare this story to the Red Convertible both stories had death in them however in someway the deaths were made to seem like a release. I don't mean the deaths seemed good but the way they were described seemed as if there shouldn't be anything to worry about. This family was a a family of birds trying to fly away, but why? Maybe this was the only option. Maybe this was there way to escape. I don't know.
Thomas Moss (post 5)
Keeping Yourself Protected
In this portion of The Girl Who Fell from the Sky, Rachel is truly making an effort to hide her real self. She mentions two different kinds of feelings at the beginning of the novel: the “new girl” feeling, and the “girl in a new dress” feeling. This distinction between the two is very important because the “girl in a new dress” feeling applies to the old Rachel, while the “new girl” feeling is all about the new Rachel. At the beginning of the book, the old Rachel is still stronger than the new. She has not had much time to build up this new persona, which is why her new girl feeling had completely disappeared when the puddle water splashed on her. She continues to build up this idea of herself as a “new girl” throughout the rest of the reading.
This new Rachel is her public self: the one who is visible to the rest of the world. She keeps the old Rachel buried deep beneath layer of protection, like the promises she has made to herself about not feeling sad, and being okay. I think she wants to hide her true self because there isn’t anyone that she feels comfortable enough to share all of her true feelings with, or someone who won’t judge her. I feel that there is a lack of sympathy in her new surroundings. No one wants her about how she is really feeling. Her grandmother and aunt avoid talking about what happened, especially anything concerning her mor. So Rachel gathers information on who this new Rachel should be from everyone she meets, she continues build up this protection around her true self. She keeps her true emotions hidden in the blue glass bottle inside the protected part of her old self. She hides all of this from everyone because she feels the need to fit in with all of the people surrounding her in this new life. Her old self certainly didn’t fit in with all of these people’s expectations, which is what prompted her to keep her true identity and emotions locked up. It is common knowledge nowadays that keeping all of this bottled up inside can be quite dangerous, so it will be interesting to see if and how it affects Rachel through the rest of the book.
The Double Nature of Rachel's Grandmother
Grandma showed Rachel that although she is of biracial decent, she cannot culturally be both black and Danish. Rachel must choose one ethnicity, and grandma made it very clear which choice she should make. Although grandma is so adamant about denying Rachel's eastern European decent, in certain instances grandma both acts in ways and encourages her family to act in ways that would be considered "white" by their community's standards. For example, grandma was the first black person to own a house in their Portland Oregon neighborhood. Rather than remain content in their Texas home, she decided to integrate herself and her family into a predominantly white neighborhood. Grandma also encouraged Loretta to play tennis; which was considered a white sport at this time, and her son to play piano; which was considered to be a white instrument. These behaviors by grandma markedly conflict with the message she is trying to send Rachel. Grandma's hypocritical actions further Rachel's identity confusion as well as cause Rachel's view of the world to become based on race.
Cailee Januszkiewicz-1